kishor kumar songs lovers: जून 2009

Personal life of kishor kumar ..kishor da
Kishore Kumar married four times. His first wife was Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958. Kishore Kumar's second wife was the famous actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi (1958). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. She didn't know about the condition that she was suffering from, and her father wanted her to wait and consult the London doctors first. Nevertheless, Madhubala married Kishore Kumar in 1960. Madhubala was a Muslim, and the two had a civil marriage,.[8]

His family was against the marriage, and the couple also had a Hindu marriage to please them, but Madhubala was not accepted by them. The doctors in London told Madhubala that she would not live for long. The marriage lasted for 9 years, and ended with Madhubala's death on February 23, 1969. Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to August 4, 1978. Kishore Kumar was married to Leena Chandavarkar from 1980 until his death.

Kishore Kumar had two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.

Kishore Kumar is said to have been paranoid about not being paid.[1] During recordings, he would begin singing only after his secretary confirmed that the producer had made the payment.[9] Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment).[1] On the sets of Bhai Bhai, Kishore Kumar refused to act because the director M V Raman owed him five thousand rupees. His brother Ashok Kumar persuaded him to do the scene. But, when the shooting started, he walked across the floor and, each time he walked a few places, he said, "Paanch Hazzar Rupaiya," (five thousand rupees) and did a somersault. After he reached the end of the floor, he went out of the studio, jumped into his car, and ordered his driver Abdul to drive away.[10]

On another occasion, when the producer R. C. Talwar did not pay his dues in spite of repeated reminders, Kishore Kumar turned up at Talwar's residence one morning and started shouting "Hey Talwar, de de mere aath hazaar" ("Hey Talwar, give me my eight thousand"). He did this every morning for a few days, until Talwar paid him.[9]

The film Anand (1971) was originally supposed to star Kishore Kumar and Mehmood in the lead roles.[11] One of the producers of the film, N.C. Sippy, had earlier served as Mehmood's production manager. Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) had done a stage show organized by another Bengali man, and he was involved in a fight with this man over money matters. He had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (another Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.

In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. He recorded for free, for some films produced by Rajesh Khanna and Danny Denzongpa.[12] On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film Dal Mein Kala (1964). When the little-known actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur.[10] Mukherjee was one of the first persons to appreciate Kishore's singing talent.[10]

Many journalists and writers have written about Kishore Kumar's seemingly eccentric behavior.[13][14] Kishore Kumar had put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, the producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly.[10] Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.[10]

According to another reported incident, once Kishore Kumar was to record a song for the producer-director G. P. Sippy. As Sippy approached his bungalow, he saw Kishore going out in his car. Sippy pleaded him to stop his car, but Kishore only increased the speed of his car. Sippy chased him to Madh Island, where Kishore Kumar finally stopped his car near the ruined Madh Fort. When Sippy questioned his strange behavior, Kishore Kumar refused to recognize or talk to him and threatened to call police. Sippy had to return. Next morning, Kishore Kumar reported for the recording. An angry Sippy questioned him about his behavior on the previous day. However, Kishore Kumar insisted that Sippy must have seen a dream, and claimed that he was in Khandwa on the previous day.[15]

Kishore Kumar was also noted for defying producers and directors. Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut".[10] In the 1960s, a financier called Kalidas Batvabbal, patently disgusted with Kishore Kumar's alleged lack of cooperation during the shooting of Half Ticket, gave him away to the income tax authorities. Kishore had to face a raid at his house. Later, Kishore invited Batvabbal home, tricked him by asking him to enter a cupboard for a "chat" and locked him inside. He unlocked Batvabbal after two hours and told him "Don’t ever come to my house again."
10Awards Filmfare Awards Winner:
Year Song Film Music director Lyricist
1969 Roop tera mastaana Aradhana Sachin Dev Burman Anand Bakshi
1975 Dil aisa kisi ne Amanush Shyamal Mitra Indeevar
1978 Khaike Pan Banaras Wala Don Kalyanji-Anandji Anjaan
1980 Om Shanti Om Karz Laxmikant-Pyarelal Anand Bakshi
1982 Pag ghunghroo baandh Namak Halaal Bappi Lahiri Anjaan
1983 Hamen aur jeene ki Agar Tum Na Hote Rahul Dev Burman Gulshan Bawra
1984 Manzilen apni jagah Sharaabi Bappi Lahiri Anjaan
1985 Saagar Kinaare Saagar Rahul Dev Burman Javed Akhtar

Nominated:

Year Song Film Music Director Lyricist
1971 Zindagi Ek Safar Andaz Shankar Jaikishan Hasrat Jaipuri
1971 Yeh Jo Mohabbat Hai Kati Patang Rahul Dev Burman Anand Bakshi
1972 Chingari Koi Badke Amar Prem Rahul Dev Burman Anand Bakshi
1973 Mere Dil Mein Aaj Daag: A Poem of Love Laxmikant-Pyarelal Sahir Ludhianvi
1974 Gaadi Bula Rahi Hai Dost Laxmikant-Pyarelal Anand Bakshi
1974 Mera Jeevan Kora Kagaz Kora Kagaz Kalyanji Anandji M.G.Hashmat
1975 Main Pyaasa Tum Faraar Kalyanji Anandji Rajendra Krishan
1975 O Manjhi Re Khushboo Rahul Dev Burman Gulzar
1977 Aap Ke Anurodh Anurodh Laxmikant-Pyarelal Anand Bakshi
1978 O Saathi Re Muqaddar Ka Sikander Kalyanji-Anandji Anjaan
1978 Hum Bewafa Harghiz Shalimar Rahul Dev Burman Anand Bakshi
1979 Ek Rasta Hai Zindagi Kaala Patthar Rajesh Roshan Sahir Ludhianvi
1980 Om Shanthi Om Karz Laxmikant-Pyarelal Anand Bakshi
1981 Hameh Tumse Pyar Kudrat Rahul Dev Burman Majrooh Sultanpuri
1981 Choo Kar Mere Mann Yaraana Rajesh Roshan Anjaan
1983 Shayad Meri Shaadi Souten Usha Khanna Sawan Kumar
1984 De De Pyar De Sharaabi Bappi Lahiri Anjaan
1984 Inteh Ho Gayi Sharaabi Bappi Lahiri Anjaan
1984 Log Kehete Hai Main Sharaabi Bappi Lahiri Anjaan

Bengal Film Journalists' Association Awards
Winner:

1971 - Best Male Playback Singer for Aradhana[16]
1972 - Best Male Playback Singer for Andaz[17]
1973 - Best Male Playback Singer for Haré Raama Haré Krishna[18]
1975 - Best Male Playback Singer for Kora Kagaz[19]

[edit] See also
Kishore Kumar filmography
List of Indian playback singers
Bollywood songs

[edit] References
^ a b c d Filmfare (November 1-15, 1987)
^ a b c Avijit Ghosh (October 7, 2007). "Unforgettable Kishore". The Times of India. http://timesofindia.indiatimes.com/Opinion/Sunday_Specials/Special_Report/Unforgettable_Kishore/articleshow/2435600.cms. Retrieved on 2007-10-07.
^ a b c Raju Bharatan. "Repertoire Unlimited: Remembering Kishore Kumar". Rediff.com. http://www.rediff.com/entertai/2000/oct/13kumar.htm. Retrieved on 2007-07-13.

kishor kumar songs lovers

बुधवार, 3 जून 2009

Personal life of kishor kumar ..kishor दा किशोर दा का निजी जीवन ..

अजब है दास्ताँ तेरी एअ ज़िन्दगी कभी हंसा दिया रुला दिया कभी ..both version together

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